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Updated: Nov 8, 2025

A black and white photograph taken by textile artist and photographer Megan Kennedy of the artist holding a portion of luminous cloth before the camera. There is a coastal landscape in the background.

On trips to the coast, I take a little scrap of fabric and steep it in the ocean - a harmless relic for incorporation into later works. This scrap of cotton bedsheet, sourced for free from an old antique store, was close to potential disaster in the winter current at a beach near St George's Basin, in the South Coast region of New South Wales, Australia.


The water was freezing, so I only swam briefly, snorkelling enough to see several glassy fish cruising close by. While my intrepid brother and sister snorkelled the bay, my Dad surveyed the coast. Back on shore, I stooped to the sealine, fabric in hand, the next wave.


Thinking on it, this ritual has to do with building a relational spirit within the cloth. It's a place-based practice, although the dried result is not entirely obvious as a narrative to others. The experience is lived - a fine day, sun, winter, sand, cold ocean, family - but it's a meditative process, it puts my mind at ease, reflecting personal tales.


Then, standing at the shore, I felt a loosening. My body strap gave way, ditching my camera with an unceremonious plop in the wet sand behind me. Fortunately, with a minimal fresh water rinse and manual dusting, it looked ok. I tested it - it was fine, no harm done. I dried the cloth in the overhang of a Banksia tree.


A black and white photograph taken by textile artist and photographer Megan Kennedy. Cloth draped on a tree branch with sun casting shadows on it. Bright sun in sky, beach and sea in the background, creating a serene mood.

I'm excited to announce I have been selected as the winner of the Libris Awards Tertiary Category prize winner of 2025! I’m so grateful for this acquisitive award. It’s an honour to exhibit alongside 60 brilliant and innovative artists working in the artist book format. I’d like to thank Artspace Mackay and everyone behind the Libris Awards. I’d also like to thank my wonderful partner Jack and my family, in particular my sister Helen who helped me recover some of the dubious detritus that ended up going in the book. Lastly, thank you to Rebecca and Deidre at the ANU School of Art and Design.



You can see the Libris Artist Book Prize exhibit till the 14th of September. But, because HOLD HANDS SPRING TIDE has been acquired as part of the gallery prize, I believe it can also be requested for viewing in the future!


I've been selected to exhibit five of my handmade brooches for PIN X (PIN 10) at ANCA (Australian National Capital Artists Inc.) gallery in September. I've been making textile-based brooches for a little while now, selling them on my Etsy under PEURL Designs. The opportunity to be able to exhibit alongside fellow wearable-art makers is really exciting, and I'm looking forward to seeing my work in a gallery context.


A soft, minimalist, fluffy handmade white brooch with terry toweling texture and a pin adorned with soft soldering designed and handmade by Megan Kennedy of PEURL Designs. The brooch is positioned on a plain white background.


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